Showing posts with label cancun. Show all posts
Showing posts with label cancun. Show all posts

10 January 2013

Expired Kodak Gold 800 - Canon Canonet QL17 - Cancun Mexico


When I was packing for Cancun I had a difficult time narrowing down what cameras I would take with me. My SX-70 Sonar was a no brainer as I pretty much use it exclusively for my Impossible Project films. I wanted to take a medium format camera to shoot some 120 slide film, and, decided pretty quickly on my Mamiya 645 as I've been shooting it more often lately. When it came time to pick a 35 mm camera thought I was a bit stumped on whether to take my usual kit - a Canon FTb with a 55mm f/1.2 - or something much smaller, lighter and much less valuable - the Canon Canonet QL17 Rangefinder that I've never even run a roll of film through.


In the end I decided to go with the Canon rangefinder for it's portability, and, in all honesty because if something tragic happened to it I wouldn't be heart broken over it (which would not be the case when it comes to the Canon FTb kit). Upon getting my film back from the lab this week and taking a couple days to scan it all I was really surprised with the quality of the images that I got and pretty happy with the decision I ended up making. I'd even go so far as to say after shooting with this camera (which has a great feel in your hands) and seeing these photos that this camera moves up my list as one of my favorite cameras to shoot with.



As I mentioned, the Canon Canonet is a 35mm rangefinder that is relatively inexpensive (unless you can find the more rare solid black model) and easy to use. There is, of course, a full auto mode on this camera that essentially turns the camera into a type of shutter priority mode that only allows the shutter to fire when the exposure falls safely in the camera's range of f/1.7 to f/16. The only issue with this automatic setting is finding the proper battery to get your light meter to work. Originally this camera used an old mercury battery (1.3v) which you can no longer buy. There are, however, plenty of resources out there for replacement batteries for this type of camera. The one I ended up with was the PX625A - a slightly higher 1.5v Alkaline battery. While I couldn't tell you exactly how far off the light meter is from using a higher rated battery, I'd guess to most it's negligible. 
 

As far as today's photos... they were actually all taken on a roll of expired Kodak Gold 800. This was, by far, the cheapest film that I had with me on this trip and, surprisingly, ended up producing some of my favorite photos. There's a fair amount of grain in some of these darker photos, but, I think this film actually rendered out some beautiful, soft colors that are sometimes reminiscent of a painting. 



This would also probably be a good time to give a little plug to the lab who developed all of my film from this trip - Old School Photo Lab in Dover NH. I went with Old School for a couple of reasons - they are friends and a great asset to the film community, and, I had some slide film in the batch that I wanted processed from a reputable source. Needless to say, Old School did a great job with this film and have with any film I've ever sent their way. If you are not familiar - I highly recommend them for all of your film processing needs.


I think that about wraps up everything I wanted to say in today's (lengthy) post. As always... I hope you found some of this information helpful, educational or even slightly entertaining. If not, then I hope you at least looked through these photos and found one or two that you like as much as I do. There will be more photos coming soon and if you've read this far... thanks, and I hope you've enjoyed. 



19 December 2012

Impossible Project PX100 - Cancun Mexico


When I arrived in Mexico a little over a week ago I still had some of The Impossible Project's PX100 film in my SX70 sonar. This film has always been one of my favorite Impossible films, but, I knew it wasn't the right film type for shooting the bright, colorful landscape around the area we were staying. It was, however, very good for documenting the Resort that we were staying at.


The Iberostar Cancun, which used to be a Hilton until about a year ago, is a huge hotel and conference center with some really beautiful architectural elements to it. Shaped almost like a pyramid, the building is designed with guest rooms only one side of the building, making every room an ocean view room. The eleven floors of the space are cut directly up the center providing a really nice atrium with (i'm sure it's no surprise) a really nice, large bar. The other thing it provides, though, is some really nice lines to the building.


Again, without getting into too much detail about my trip, I will say that this was a really great resort to stay at. I don't have a lot of experience in these things to reference that statement against, but, I will say if you are ever looking into a trip to the Cancun area (or many other places for that matter) you should definitely look into the Iberostar's that are available. I can't say enough about the space, the staff, the food and everything we were provided throughout our stay.

17 December 2012

Impossible Project PX680 Test Film V4C - Cancun Mexico


I just got back from a seven day trip to Cancun Mexico. I'm not going to bore you with details of my vacation, but, I will say that if you've never been down that way or been to an all inclusive resort, both should be on your bucket list. 

Surprisingly, I only took three cameras with me on this trip - my SX70 Sonar, my Canon Canonet GIII, and, my Mamiya 645. The majority of the film that I shot throughout was 35mm with my Canon (mostly due to how compact and portable it is) but I did get in a roll of slide film with the Mamiya and some instant photos with the Impossible Project's film and the SX70 as well. 


Today I am posting a few of the instant photos that I took with my SX70 Sonar and Impossible Project's PX680 Color Protection film. All of these shots were taken unshielded and left to develop in the shade, a pocket, or some other location with indirect sunlight. As a whole, I'd say this film really held up pretty well in the sunny conditions as well as the heat. With temps around the 80's most days this film did have a tendency to start quickly shifting to warmer tones, but, overall the colors remained pretty true throughout. I made it a point to move the photos back into an air conditioned room as soon as possible after shooting though, so I can't really say how warm these colors would have shifted over a longer period of time.


I'm sure I'll be sharing more instant photos from this trip soon, and, once I get the remainder my film developed I'll start posting a few of those as well. Stay tuned and enjoy.